Tuesday, March 29, 2011
Deathly Hallows
Tuesday, March 22, 2011
Trevor Hall: Or, How I Learned to Stop Criticizing and Love the Hippies
The time on our tickets said the doors opened at 6pm and the show began at 7pm. Two of my roommates went early, and my other roommate and I arrived at 7pm. Unfortunately, the folks at Velour must have slept in, because the doors didn't open until 8pm. We spent the hour in the shadow of the building, forlornly watching the thermometer at the bank across the street as the temperature slowly dropped from 32 degrees, to 31, to 30...and finally the doors opened. There was then a good 45 minutes of sitting on the hard wooden benches under the vigorously blowing fans before at last the first opening act ascended the stage: Cubworld, a large bearded Hawai'ian man and his accompianists. I'd heard a few of Cubworld's songs a couple of years ago, and they seemed mellow and nice, but this time around, it was quite different, way more rock-y. After Cubworld came Cas Haley, another large bearded man who was very fun and funny as he sang. He gained a lot of respect from me until he sang a song about legalizing marijuana, which was just ridiculous. But I'm still going to brag about how he pushed past me in the crowd afterward at least three times.
Finally, FINALLY, Trevor Hall's band came on stage to set up, and one of my roommates and I weasled our way up through the harangue to the front where the rest of our party was standing excitedly waiting. As we were waiting, listening to the incomprehensible music coming over the speakers and chatting casually, I felt a sharp pain in my back, as though someone had rammed their cranium into my shoulder blade, which is actually what happened, as some random hipster dude in tight pants had passed out onto me. This definitely happens to me a lot-- a girl passed out on my feet during a boring tour of the Denver Public Library on our King Tut trip last semester. Actually, people passing out kind of freaks me out a little, because I feel obligated to use my first aid skills. Not that I don't want to, I just don't want to find out at the wrong time that I'm incompetent.
Anyway, after that episode, fog filled the room, a sitar hummed, and Trevor Hall descended from the ceiling. Just kidding. He walked on stage nonchalantly, feet bare, jeans cuffed, prayer beads and dreadlocks swinging. Most of the songs the band played at first, I hadn't heard (apparently the 18-song CD my roommates made for me in preparation wasn't half of what he has put out), and I was beginning to feel a bit ridiculous, and the French Composition I had yet to write began to nag at the back of my mind. The two boys at my left pushed past me to show a message to the two girls at my right (which read something to the effect of "Let's hook up after the show"), and I felt even more ridiculous. The drummer suddenly was the only one on stage, playing a crazy solo that could've been at any metal show (but what do I know). But then, the noise stopped and the drummer disappeared, Trevor Hall walked back up on stage, the crowd obnoxiously began yelling requests, Trevor Hall felt embarrassed and criticized and shyly began to play his solo song, and I had a revelation.
He played a song called "Te Amo," and it was beautiful. I can't get it out of my mind, and as we all stood silently taking in the simple melody and poetic lyrics, I surprisingly felt like crying. The whole night, the crowd had been loud and crazy, and suddenly we all felt the same quiet peace. At risk of getting far too overly cheesey, I'll leave it at that, but really, there was something there.

Listen (ignore the chit-chat and just focus on the song):
After "Te Amo," the band came back and they all played a number of other songs, one of which was "Om Shakti Om" (yeah). During the chorus, we all clapped in time and sang "Om Shakti Om" (those exact words) together, and my French essay faded away, and the criticism I knew would come when I recounted these events to certain people subsided (but now that I'm thinking about it again, I fully expect the criticism to come!), and we jumped and clapped and chanted/sang together and it was wonderful.
There were a few more songs, including a two-song encore, a slightly random poetry recitation (of the song "My Baba"), and then came the last song, the only one played that night (besides some Bob Marley remixes from Cas Haley & Trevor Hall) that I knew all the words to-- "Lime Tree," one of my favorite songs that appeared on the CD from my roommates.
When the concert finally ended, and the crowd rushed to greet Mr. Hall, my roommate and I pressed our way through the throng and finally escaped into the cold air, away from the smells of patchouli and energy drink. We ran quickly to our car, still on a high, ears ringing in the way they do after over-exposure, much like how everything appears green when you come inside from a bright day. As soon as we were home we went directly to bed, and I let the memories of the sounds sink in, smiling a little as I realized it was okay that hippies were silly, because sometimes it's nice just to let go.
-----
Check out these good songs by Trevor Hall if you're interested:
Te Amo (see above)
Lime Tree
Other Ways
To Zion
31 Flavors
Unity
...and a few others. If you're interested, let me know and I'll send you some more.
P.S. If you get the movie reference from the title, kudos to you!
Thursday, March 10, 2011
Flowers!
The End is (not) Nigh
Sunday, March 6, 2011
An Explanation
Friday, March 4, 2011
Très Excitant!
Thursday, March 3, 2011
Kittens in Bowls
Saturday, February 19, 2011
Plastic Beach
Tuesday, February 1, 2011
Cool
Wednesday, January 26, 2011
At BYU

Monday, January 24, 2011
Always On My Mind
Sunday, January 9, 2011
Another Day
Sunday, December 26, 2010
Cheating
About a month ago I purchased these boots from Walmart for about $20:
I love them. I wear them all the time (literally). The only thing wrong with them is that I had to buy them a size down because they were all out of 7s. Since rubber boots usually run a little big (because they don’t stretch), I thought it’d be okay, but they’ve been pretty tight at times lately, making my poor toes uncomfortable :(
In any case, the reason I bought them is not because they’re practical, nope, that had almost nothing to do with it. My excuse was that I could wear them with my Harry Potter premiere outfit in November (surprise! I love Harry Potter), but that’s not the real reason. For me, these boots embody a world of dream and childlike attitude. That sounds totally ridiculous, but it’s true.
One of my favorite memories from my childhood is of walking alone through the rain and mud on our then-unpaved road to meet my sisters at their piano lessons in my yellow plastic raincoat and black galoshes. I think I was about five years old. I remember stomping in the mud puddles and thoroughly enjoying the rain, since we hardly got any in Southern California.
I also always had a dream of being a veterinarian when I grew up. When I was in junior high, I first read the books by James Herriot.
I loved reading about how he would pull on his Wellies and go to work with the animals. I love James Herriot, I even made it a point to make sure we went to Thirsk (aka Darrowby) on our trip to England this year.
Later, in High School, I was in Ag, or FFA, or whatever you want to call it. Though my animal projects never worked out (just fyi, rabbits need air conditioning or they will die– not my fault though), I had friends who raised steer, goats, and pigs, and they all had rubber boots. I spent plenty of time in the barn and stables–but without the boots– though the whole time I was in there cleaning and caring for the animals I sure wished I had a pair.
Wednesday, December 15, 2010
MacFarlane
Tuesday, December 7, 2010
Crazy
Saturday, November 20, 2010
Mozzareller
Tuesday, November 16, 2010
Drawing the Line
I know that art is a very delicate subject at times, but I wonder where on the line between "personal" and "public art" this situation falls. I know that photographs (and art in general) is often created to provoke uncomfortable emotion, and that we may not always be comfortable with it. For example, a friend of mine is opening a display of her photography in the HFAC on campus in a couple of weeks, and the topic of her collection is the unrealistic image of women that has been created by our culture, and how it affects women in real life. She told me about an image of a girl draped over a toilet wearing almost nothing, her bones jutting out from her skin; and how she's certain this image will be censored the moment she hangs it in the gallery. People are simply not comfortable viewing things that provoke unhappy feelings in themselves. And yet, they miss the point. If we push these things away, we lose sight of what life is really like.
Maybe that was the point of Jonathan Canlas' posting of the photos I think perhaps should have been kept private. At the end of the post he said "Now all of you, close this browser and go spend some time with your family/loved ones. Life is so delicate." These images-- or other works of art in various forms, such as the poem "Dulce et Decorum Est" by Wilfred Owen-- are meant to cause emotions in us that stimulate a change in our lives, or help us to see the reality of life. They hold a power that other things do not.
What do you guys think?
Wednesday, October 27, 2010
Magdalen
Monday, October 25, 2010
Cut You Down
This song has been haunting me since I first heard it in the Jeep commercial, and I every time I heard it it made me want to buy a Jeep, which is not a terrible prospect. But after hearing it used in the preview for True Grit, it just makes me want to ride horses in the winter desert of northeast Arizona.
Anyway, it being Johnny Cash just makes it a hundred times better: